In 2018, Dalila Abdo Ahmed stepped into a landmine on her wedding day while travelling to her husband’s family home near the frontline outside Taiz, Yemen. The explosion amputated both of her legs below the knee and permanently altered the course of her life.

While recovering in intensive care, Dalila’s husband divorced her and sought the return of the customary bride price, or mahr, from her family. In Yemen, women living with disabilities often face deep social stigma, isolation and discrimination, particularly after conflict-related injuries. Dalila’s mother, Qoboul Ahmed Al-Hajj, refused to abandon her daughter despite repeated pressure and tragedy within the family, which has lost multiple relatives to landmines and the war.

Photographed over multiple visits, this series documents the intimate reality of Dalila’s daily life in displacement in Taiz city. As trust developed over time, she opened her home, shared memories stored on her phone from before the explosion, and introduced the family life that continues around her. The photographs move between moments of vulnerability and ordinary tenderness: caring for children, conversations with her mother, navigating her home without prosthetic legs, applying makeup, painting her nails and maintaining routines that affirm dignity and identity.

The work challenges the idea that violence or disability diminish womanhood. Despite trauma, social stigma, displacement and limited access to adequate prosthetics, Dalila remains emotionally and physically resilient - continuing to support her ageing parents financially while rebuilding a life shaped by loss, but also by endurance, care and self-worth.

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The Classrooms Left Behind

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Shifting Sands