Kakuma refugee camp in northern Kenya is home to hundreds of thousands of people displaced by conflict across the region. In 2016, as anti-refugee sentiment hardened in Kenyan political rhetoric (with senior officials calling for the closure of the camps and media coverage framing refugees as a burden or security threat) the lives and losses of those inside received little serious attention.

Mariam Nininahazwe was living that invisibility twice over. A Burundian refugee raising her children alone in Kakuma, she was also searching for her teenage daughter Hurlaini, who had disappeared in a case that struggled to gain traction in a climate where the suffering of refugees was routinely treated as peripheral, or not news at all.

This series follows Mariam through the rooms, tools and routines of her daily life: the domestic labour of keeping a household together without a partner, the small economies that sustain her children, and the ongoing, exhausting work of keeping her daughter's disappearance visible. The photographs are interior and intimate: shelters, objects, hands, the texture of an ordinary day held alongside an unbearable one.

Taken together, they ask what it means to grieve, to persist, and to demand to be seen, when the systems around you have largely decided not to look.

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Growing up Kakuma

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Safe Haven: Women Rebuilding Life after Trauma in Kakuma Refugee Camp